
2026 WORKSHOPS & COURSES
Start date: Thursday 9th July 2026
Subject: Sketching Cats & Kittens
Medium: Graphite pencil
Course length: 6 x 1.5-hour lessons (9 hours total)
Included in the workshop: All tuition, reference photo (emailed), feedback and an edited recording of the course.
A workshop kit containing everything you need is available to purchase for £8.99
Suitable for: Beginners and advanced artists.
Location: Live via Zoom – invitation emailed after booking.
Time: 7.00pm-8:30pm GMT (Please be ready with your materials by 6.45pm)
Price: £99
COURSE STARTED
From cute, playful kittens to more mature sofa-loving companions, cats have been a popular subject in art for centuries.
On this course you will learn how to sketch cats and kittens in a variety of ages, fur types and poses, from full bodies to portraits, using basic shapes and hatching/blending techniques.
Naturally, feline eyes will feature prominently in many of the sketches, so we will be looking at those in detail, especially in the close up portraits.
The importance of tone, in particular contrast, will be covered, along with tips on sketching fur textures in a relatively short time.
Lesson 1 - Thursday 9th July - Bumble
Our first sketch is of Bumble, silhouetted against a window. The lack of detail in the features and fur texture will allow us to focus on the basic shapes of the head and body, as well as the fundamental shading and blending techniques that we’ll be using throughout the course; a fairly simple yet atmospheric sketch for our first lesson.
Lesson 2 - Thursday 16th July - Earl
In this sketch we won’t need to worry about the eyes, as our subject - a young Earl – is sleeping.
The main focus this week is on the basic geometric shapes in a cat’s head.
The use of tone and contrast, rather than textures, will result in an charismatic portrait.
Lesson 3 - Thursday 23rd July - Ned
In the first of our ‘eyes open’ close-ups, we will look in detail at the cat’s eye in profile; how to construct the curve of he eyeball, the shape of the pupil as well as the shadows, highlights and reflections.
We will also get the chance to practice sketching Ned’s distinctive tabby markings.
Lesson 4 - Thursday 30th July - Gladys
This week’s focus is on tonal contrast – important when sketching a white cat like Gladys.
With no visible fur texture to worry about, we can concentrate on the shape of a resting cat, as well as creating anatomical form through the use of soft tones and tonal contrast.
Lesson 5 - Thursday 6th August - Forrest
This week’s focus is on the symmetry of a feline head and features.
Basic geometric shapes and angles are important in many natural subjects, especially when sketching faces head on.
The subject is our ginger cat Forrest as a very young kitten so, naturally, there will be some emphasis on the proportional difference between adult cats and kittens.
Lesson 6 - Thursday 13th August - Oscar
Our final sketch features Oscar, with the white and black markings that sometimes give rise to the name ‘cow cats’.
This is a full body seated pose with the focus on loose cross hatching techniques to visually describe to markings as well as to show the slightly twisted form of Oscar’s pose.
There is a kit available to accompany this course, which includes:
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A4 Cartridge Paper (8 sheets)
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2B graphite pencil
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kneadable eraser
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6 x Reference photos
** Kits are posted out approx. 1 week before the course starts **
Sketching Cats – 6 Week Zoom Course

Start date: Thursday 27th August 2026
Subjects: Crow, horse & Chimp
Medium: White pencil on black card
Course length: 3 x 1.5-hour lessons (4.5 hours total)
Included in the workshop: All tuition, reference photo (emailed), feedback and an edited recording of the course.
A workshop kit containing everything you need is available to purchase for £7.99
Suitable for: Beginners and advanced artists.
Location: Live via Zoom – invitation emailed after booking.
Time: 7.00pm-8:30pm GMT (Please be ready with your materials by 6.45pm)
Price: £50
4 PLACES REMAINING
The combination of white pencil and black card not only creates an atmospheric, even dramatic image, but is also a great medium for sketching both white and black subjects.
For those who enjoyed my previous white pencil classes, this short course is a chance to refresh your skills. If you haven’t tried this medium before, then I think you’ll be in for an arty treat, sketching three very different subjects.
Lesson 1 - Thursday 27th August - Crow
The course begins with one of the most intelligent and visually striking birds – the crow.
The strong shiny beak and glossy black plumage of this handsome bird are perfect for us to begin practising the varied tones and textures achievable with just a white pencil.
The final impact highlights will almost make this dramatic corvid portrait fly off the card.
Lesson 2 - Thursday 3rd September - Horse
Unlike our first subject, the anatomy of this white horse is created by using more subtle tonal shading with the white pencil, rather than strong highlights.
Basic shapes, lines and angles will be used to achieve correct proportions before we start adding and refining details, bone structure and muscle forms.
The result will be a softer, more atmospheric portrait, with hints of punchier highlights to give the sketch visual impact.
Lesson 3 - Thursday 10th September - Chimp
Throughout the ages, portrait silhouettes have been a popular way of capturing a likeness in a relatively simple manner.
I think that perhaps the idea of creating a portrait in white pencil originated from this form of art.
Our version is an up-close portrait study of a chimpanzee, whose arrangement of features is so similar to our own.
Much of the focus this week will be on the chimp’s face, highlighting stronger forms and features, whilst keeping less prominent areas, such as fur and skin textures more subdued, tonally. What a great way to finish this short course!
There is a kit available to accompany this course, which includes:
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3 x sheets of A4 300gsm black card
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White Pencil
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kneadable eraser
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Reference photos (3)
** Kits are posted out approx. 1 week before the course starts **
WHITE PENCIL SKETCHING - 3 WEEK ZOOM COURSE

Order White Pencil Sketching Course Kit
Book White Pencil Sketching

MORE WORKSHOPS AND COURSES COMING SOON...
Saturday 25th April 2020
Subject: Lion
Medium: Pastel on Velour
Length: 1-day
Included in the workshop: All materials, light refreshments, all tuition.
Suitable for: Beginners & Advanced Artists.
Location: Big Cat Sanctuary, Headcorn Road, Smarden, Ashford, Kent. TN27 8PJ
Times: 10am-4pm (arrive 9.30am)
Price: £120
2 PLACES REMAINING
Something new for me and hopefully for you, for the first of my Big Cat Sanctuary workshops in 2020; a full colour lion portrait in pastels on black velour.
The subject of this workshop is the handsome African lion, Kasanga, who you will get to meet and take your own reference photos, like this one, on the morning of the workshop.
The use of black velour gives much more depth of tone than other colours, such as the sand-coloured velour, as well as allowing you to create dramatic highlights that can give an otherwise ‘standard’ portrait much more atmosphere.
Whether you are an experienced artist or a beginner, Vic will guide you step by step through the process of painting with pastels on velour; how to create fur texture, realistic eyes, all important highlights and, of course, the special techniques required when using black velour.
As always, the big cat/art experience begins with a guided photography tour, starting at around 10am. This is a unique opportunity to gather your own reference photos of wide variety of big and wild cats at very close quarters for future use in your artworks.
The tour finishes at lunchtime, during which you are free to visit the on-site shop for souvenirs and enjoy your lunch under the watchful gaze of mountain lions and the famous ‘Maya’, whose enclosure is next to where we will be working.
The workshop itself begins after lunch and ends at around 4pm, after which you are free to admire and take more photographs of the beautiful Maya in the late afternoon light before leaving for home.
All materials and light refreshments provided. Please bring your lunch, an easel (table or standing) if you need one, and sensible shoes for walking around the enclosures (no sandals or flip flops please). And don't forget your camera!
The day will begin at 10am promptly, so please try to arrive around 9:30am.
For every booking, we donate £50 to the Big Cat Sanctuary. These funds help the sanctuary with upkeep and conservation projects.
LIVE ZOOM COURSE - PORTRAIT IN OILS
BIG CAT SANCTUARY LION WORKSHOP
Stating date: Thursday 7th January 2021
Subject: Portrait
Medium: Oils on canvas
Course length: 4 x 1 1/2 hour classes
Included in the workshop: All Tuition, Reference Photo (emailed), Recording of the Workshop.
Other Info: The portrait course kit is available to order in advance for this workshop
Suitable for: Beginners & Advanced Artists.
Location: Live via Zoom - Instructions sent after booking
Time: 7pm-8.30pm (Please be ready with your materials by 6.45pm)
Price: £60
COURSE STARTED
‘Portrait in oils’ is a complete course aimed at artists who want to learn or improve their oil painting skills.
Each lesson will focus on a particular stage in the oil painting process, using the techniques that I have used myself for many years.
Lesson 1 – Underpainting part 1
(7th January 2021)
We begin the course with probably the most important stage in any painting, a burnt umber underpainting, using the dry brush technique.
Once completed, the underpainting acts as a tonal foundation for subsequent layers, giving both basic details and all important tones to create form.
Lesson 2 – Underpainting part 2
(14th January 2021)
Once the burnt umber underpainting is dry, which will be just a few days, we can begin to create more subtle mid tones and key highlights.
This will be achieved by using varied mixes of burnt umber and titanium white, thinned slightly with linseed oil for easier control and flow.
Note: There will be a two week gap before the next lesson to ensure that the whole underpainting is completely dry before lesson three
Lesson 3 – Glazing
(28th January 2021)
Once the underpainting is completely dry, we can begin to add colour in the form of transparent glazes, a traditional oil painting technique.
Using the additional colours of cadmium red, yellow ochre and French ultramarine, thinned with linseed oil, we will ‘tint’ the underpainting with various colour mixes to create skin tones, and background.
Lesson 4 – Final details
(4th February 2021)
Using the rigger brush and thinned mixes of burnt umber, French ultramarine and titanium white, we will refine the portrait with finer details in the hair, eyes, nose and mouth, adding a few finishing highlights here and there.
Please note, the course is £60 per person, however, if more than one person is using the same Zoom connection, then the fee covers all participants from the same household.
MATERIALS
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290gm oil painting paper (14x10 inches)
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#6 oil/acrylic round brush
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Watercolour rigger brush
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Oil paints: Burnt umber, titanium white, cadmium red, yellow ochre, French ultramarine
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Linseed oil.
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Reference photo (emailed upon booking)
A kit is available for this course, which contains all the materials you'll need to complete the oil painting. Please take into account delivery times when ordering the kit. This kit is posted in a large postal tube.
The great things about Vic's Zoom classes is that you also receive a recording after each class/workshop. So, if you cannot attend one of the lessons, or would just like to re-watch the tutorial, you have the recording to watch as often as you like.
UK WORKSHOPS
Vic offers a variety of teaching workshops in different mediums throughout the UK. Subjects vary from wildlife paintings and portraits, to seascapes, people, children and pets. With mediums in pastel, pencil, oil, acrylic and watercolour, there's something to suit everyone.
At this point in time, most of Vic's workshops and courses are run online via Zoom, This means people all over the world can attend from the safety and comfort of their own home.
Vic's workshops are suitable for complete beginners and advanced artists, and you will learn a great deal about the subject and medium you're working in.
The numbers attending his workshops are kept fairly small. This ensures everyone gets individual tuition and guidance throughout the day so they can learn a lot about the medium they're working in and achieve great results.