UK WORKSHOPS
Vic offers a variety of teaching workshops in different mediums throughout the UK. Subjects vary from wildlife paintings and portraits, to seascapes, people, children and pets. With mediums in pastel, pencil, oil, acrylic and watercolour, there's something to suit everyone.
At this point in time, most of Vic's workshops and courses are run online via Zoom, This means people all over the world can attend from the safety and comfort of their own home.
Vic's workshops are suitable for complete beginners and advanced artists, and you will learn a great deal about the subject and medium you're working in.
The numbers attending his workshops are kept fairly small. This ensures everyone gets individual tuition and guidance throughout the day so they can learn a lot about the medium they're working in and achieve great results.
2024 WORKSHOPS & COURSES
WILDLIFE IN GRAPHITE & WHITE INK PEN – 6 WEEK COURSE
Order Wildlife Kit
Start date: Thursday 19th September 2024
Subject: Sketching Wildlife on Brown paper
Medium: Graphite & White Ink Pen on Kraft paper
Course length: 6 x 1.5 hour classes (9 hours total)
Included in the workshop: All tuition, reference photos (emailed), feedback and recording of the course.
A workshop kit containing everything you need is available to purchase for this course for £8.99
Suitable for: Beginners and advanced artists.
Location: Live via Zoom – instructions sent after booking.
Time: 7pm-8:30pm GMT (Please be ready with your materials by 6.45pm)
Price: £99
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6 PLACES REMAINING
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Would you like to give your sketches a different look?
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Toned paper opens up a whole new world of possibilities for your wildlife sketches. Brown toned paper in particular gives an underlying warmth to the otherwise monotone greys of graphite pencil.
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Using pencil and white ink pen on brown Kraft paper gives a softer, more natural look to a
sketch. The brown paper brings out the natural mid tones, while the white ink pen creates an atmospheric, sometimes dramatic sunlight effect against the softer shadow tones of the graphite pencil.
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In this course, we can forget about the mid tones and, instead, focus on basic pencil sketching textures, some important details and, of course, those impact highlights.
Lesson 1 - Thursday 19th September - Squirrel Monkey
We begin the course with some interesting textures, in the form of a delightful squirrel monkey; one of the most intelligent monkeys that gets its name from nimbly hopping from branch to branch, like a squirrel.
With few facial details to concern ourselves with, we can focus on the short, dense fur texture with both the graphite pencil and white ink pen. We will use a little imagination to change the rope in our reference to a rainforest tree branch.
The overall effect will that of the strong sunlight and hazy shadows of the squirrel monkey's habitat.
Lesson 2 - Thursday 26th September - Impala
This week's sketch takes us to the hot, dusty and somewhat drier haze of southern Africa. The warm hue of the paper effectively portrays both the overall colour of the impala and the warmth of its habitat.
The white ink pen will take centre stage this week, picking out the strong outline, horns and muscle
definition of this handsome antelope. The graphite pencil will be used more sparingly to show form and minimal features through the dusty heat of the impala's environment.
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Lesson 3 - Thursday 3rd October - Camel
I often like to include a character study in these courses, and this week we have just that; a profile portrait study of a very characterful dromedary camel.
The focus in this sketch will be very much on features; trying to capture the character of the camel first
and foremost. The major part of the sketch will be graphite on the brown paper, with more limited use of the white ink pen to pick up soft highlights and a touch of backlighting.
​Lesson 4 – Thursday 10th October - Painted Dog
The African wild dog, or painted dog as it is often known, is Africa's largest and, without doubt, most handsome canid species.
There are two areas of focus in this week's sketch; firstly the classic hunting pose in profile and secondly, the multi-toned colouring of the painted dog – from the dark muzzle, to the tan, white and dark grey markings of the fur. It almost seems that this medium was designed to sketch this subject.
The result will be a very striking image of this sadly persecuted carnivore.
Lesson 5 - Thursday 17th October - Meerkat
For many of us, the massive rise to fame of meerkats in recent years, from 'Meerkat Manor' to the slightly more dubious and cliched website commercials, have tempered the desire to create 'serious' works of wildlife art of this small and obviously cute member of the mongoose family.
However, the pose of a meerkat on guard while the rest of his pack forage for food makes for a lovely,
characterful sketch.
This week's sketch focuses on the body shape and facial features of the meerkat. Naturally, the brown
paper helps to convey not only the colouring of the meerkat, bus also the heat of its desert habitat. The white ink pen will be used to strengthen the outline as well as creating a suggestion of early morning backlighting.
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Lesson 6 - Thursday 24th October - Lion
The face of a mature male lion can show strength, wisdom and often the scars of a hard life. Indeed, the African male lion is one of the most utilised animal symbols in human cultural history.
Our final sketch will be a profile portrait, discovering how to use the white ink pen to portray the strong features of the lion. In addition, we will see how, using all parts of a pencil lead from side to tip, we can create strong facial features, as well as softer fur textures.
What an iconic image to finish the course on!
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There is a kit available to accompany this course, which includes:
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MATERIALS REQUIRED/KIT CONTENTS
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2B Graphite Pencil
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2 x White Ink Pens
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Kneadable Eraser
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A4 120gsm Brown Kraft paper (10 sheets)
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Reference Photos (6) - included in the kit, or emailed after booking.
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​** Kits are posted out a week before the course starts **
Book Wildlife in Graphite & Gel Pen Course
Order Wildlife Kit
Book Puffin in Watercolour 2-Part Workshop
PUFFIN IN WATERCOLOUR – 2 PART WORKSHOP
Date: Sunday 13th & Sunday 20th October 2024
Subject: Puffin
Medium: Watercolour
Course length: 2 x 2.5 hour classes (5 hours total)
Included in the workshop: All tuition, reference photo (emailed), feedback and recording of the course.
A workshop kit containing everything you need is available to purchase for this course for £9.99
Suitable for: Beginners and advanced artists.
Location: Live via Zoom – instructions sent after booking.
Time: 1pm-3:30pm GMT (Please be ready with your materials by 12.45pm)
Price: £55
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15 PLACES AVAILABLE
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Puffins are delightful little birds, with their colourful beaks and almost clown-like appearance,
reminiscent of those kitschy sad clown paintings of the 1970s, making them ideal subjects for
painting, like this image of a puffin perched on top of a cliff, looking out to sea.
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As there is a lot of detail in this painting; the puffin with its feather textures, colourful beak, as
well as the grass, foliage and dandelions in the foreground, the painting will be split into two
parts, allowing us to work at a steady, unhurried pace.
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Part 1 – Sunday 13th October
The way that I like to use watercolour is to enhance a graphite sketch or drawing; the subtle
colours of the paint complimenting the details and soft tones of the pencil; the sketch/drawing
serving as a tonal underpainting.
In part 1 of the workshop, I will show you my techniques for achieving correct shapes and
proportions in the initial drawing of this puffin perching on the edge of a cliff.
Once we have drawn the puffin and made any necessary adjustments/refinements, we will then
add some tonal values with the pencil to establish underlying forms. Finally, we will sketch in the
foreground, bringing some of the grasses, etc. into focus by means of sharper details, which will
start to add depth to the drawing overall.
You will now have a whole week to finish/add details or even start over, using this first part as a
practice session. As always, feel free to send me your drawing for feedback between the
sessions.
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Part 2 – Sunday 20th October
With the drawing of the puffin and the grassy ledge completed and tidied up with the kneadable
eraser, we will then start to add layers of watercolour.
I will show you how to create soft textures in the background, using plenty of water to diffuse the
pigment. Then we will start to apply thin glazes over the puffin and foreground, adding more
pigmented layers for the details. This build up of layers will enhance the sense of depth in the
painting, which we started to develop in the pencil stage.
A few final detail tweaks with the pencil here and there and our painting is complete.
Along the way, among the tips and techniques, we will also learn more about these charming
birds and their behaviour.
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What a lovely, relaxing way to spend a couple of Sunday afternoons as we head into autumn.
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If you can't make any of the live sessions, there will be free recordings for you to catch up at
your own pace, along with step by step photos, should you want these too.
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There is a kit available to accompany this course, which includes:
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2B graphite pencil
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Kneadable eraser
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Set of 6 watercolours - burnt umber, natural grey (blue tint), French ultramarine, cadmium yellow, red and violet.
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2 x A4 sheets of watercolour paper
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1 x A4 sheet of cartridge paper
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Reference photo
PLEASE NOTE: You will need a round watercolour brush (not included in the kit). I generally use a #6 round brush (approx 1⁄2 inch length hairs), which is good for painting both details and larger areas of colour.
​​** Kits are posted out a week before the course starts **
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MORE WORKSHOPS AND COURSES COMING SOON...
Saturday 25th April 2020
Subject: Lion
Medium: Pastel on Velour
Length: 1-day
Included in the workshop: All materials, light refreshments, all tuition.
Suitable for: Beginners & Advanced Artists.
Location: Big Cat Sanctuary, Headcorn Road, Smarden, Ashford, Kent. TN27 8PJ
Times: 10am-4pm (arrive 9.30am)
Price: £120
2 PLACES REMAINING​
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Something new for me and hopefully for you, for the first of my Big Cat Sanctuary workshops in 2020; a full colour lion portrait in pastels on black velour.
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The subject of this workshop is the handsome African lion, Kasanga, who you will get to meet and take your own reference photos, like this one, on the morning of the workshop.
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The use of black velour gives much more depth of tone than other colours, such as the sand-coloured velour, as well as allowing you to create dramatic highlights that can give an otherwise ‘standard’ portrait much more atmosphere.
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Whether you are an experienced artist or a beginner, Vic will guide you step by step through the process of painting with pastels on velour; how to create fur texture, realistic eyes, all important highlights and, of course, the special techniques required when using black velour.
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As always, the big cat/art experience begins with a guided photography tour, starting at around 10am. This is a unique opportunity to gather your own reference photos of wide variety of big and wild cats at very close quarters for future use in your artworks.
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The tour finishes at lunchtime, during which you are free to visit the on-site shop for souvenirs and enjoy your lunch under the watchful gaze of mountain lions and the famous ‘Maya’, whose enclosure is next to where we will be working.
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The workshop itself begins after lunch and ends at around 4pm, after which you are free to admire and take more photographs of the beautiful Maya in the late afternoon light before leaving for home.
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All materials and light refreshments provided. Please bring your lunch, an easel (table or standing) if you need one, and sensible shoes for walking around the enclosures (no sandals or flip flops please). And don't forget your camera!
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The day will begin at 10am promptly, so please try to arrive around 9:30am.
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For every booking, we donate £50 to the Big Cat Sanctuary. These funds help the sanctuary with upkeep and conservation projects.
LIVE ZOOM COURSE - PORTRAIT IN OILS
BIG CAT SANCTUARY LION WORKSHOP
Stating date: Thursday 7th January 2021
Subject: Portrait
Medium: Oils on canvas
Course length: 4 x 1 1/2 hour classes
Included in the workshop: All Tuition, Reference Photo (emailed), Recording of the Workshop.
Other Info: The portrait course kit is available to order in advance for this workshop
Suitable for: Beginners & Advanced Artists.
Location: Live via Zoom - Instructions sent after booking
Time: 7pm-8.30pm (Please be ready with your materials by 6.45pm)
Price: £60
COURSE STARTED​
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‘Portrait in oils’ is a complete course aimed at artists who want to learn or improve their oil painting skills.
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Each lesson will focus on a particular stage in the oil painting process, using the techniques that I have used myself for many years.
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Lesson 1 – Underpainting part 1
(7th January 2021)
We begin the course with probably the most important stage in any painting, a burnt umber underpainting, using the dry brush technique.
Once completed, the underpainting acts as a tonal foundation for subsequent layers, giving both basic details and all important tones to create form.
Lesson 2 – Underpainting part 2
(14th January 2021)
Once the burnt umber underpainting is dry, which will be just a few days, we can begin to create more subtle mid tones and key highlights.
This will be achieved by using varied mixes of burnt umber and titanium white, thinned slightly with linseed oil for easier control and flow.
Note: There will be a two week gap before the next lesson to ensure that the whole underpainting is completely dry before lesson three
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Lesson 3 – Glazing
(28th January 2021)
Once the underpainting is completely dry, we can begin to add colour in the form of transparent glazes, a traditional oil painting technique.
Using the additional colours of cadmium red, yellow ochre and French ultramarine, thinned with linseed oil, we will ‘tint’ the underpainting with various colour mixes to create skin tones, and background.
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Lesson 4 – Final details
(4th February 2021)
Using the rigger brush and thinned mixes of burnt umber, French ultramarine and titanium white, we will refine the portrait with finer details in the hair, eyes, nose and mouth, adding a few finishing highlights here and there.
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Please note, the course is £60 per person, however, if more than one person is using the same Zoom connection, then the fee covers all participants from the same household.
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MATERIALS
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290gm oil painting paper (14x10 inches)
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#6 oil/acrylic round brush
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Watercolour rigger brush
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Oil paints: Burnt umber, titanium white, cadmium red, yellow ochre, French ultramarine
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Linseed oil.
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Reference photo (emailed upon booking)
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A kit is available for this course, which contains all the materials you'll need to complete the oil painting. Please take into account delivery times when ordering the kit. This kit is posted in a large postal tube.
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The great things about Vic's Zoom classes is that you also receive a recording after each class/workshop. So, if you cannot attend one of the lessons, or would just like to re-watch the tutorial, you have the recording to watch as often as you like.​